Art & Life of Laura den Hertog


Home   Paintings   Events   Galleries   Email Newsletter    Contact the Artist   About the Artist   Blog  



Follow this Blog


Follow me on Twitter

 | My Page on FaceBook


Topical Index

Current
Art Auction
Art Skills
commissions
documentary
Exhibitions
new paintings
Shipping Art


 Archives:Jan 2010
Dec 2009
Sep 2009
Aug 2009
May 2009
Apr 2009

Body Language (a celebration of movement)

by Laura den Hertog on 1/15/2010 6:13:17 AM
Comment on this


larger images can be found in "Paintings/Newly Completed"
A new series of paintings. All are oil on wood panel.

Dance is making a long over due comeback as part of our cultural consciousness. The stars are doing it, anyone who thinks they can is doing it, it's crossed over into cirque acrobatics, and it's all about one thing.
Art. Dance is expression, pushing limits, creating a conversation in movement.



It's not sex, it's Art
 My dancers are naked, unadorned, and unabashed. They are the expression of movement in it's purest form. They create incredible compositions with body and limb. They evoke emotion with a tilt of the head, a gesture of the hand.  They are speaking, shouting, and whispering to us.

Comment on or Share this Article >>

The best time for artists to approach a gallery

by Laura den Hertog on 12/16/2009 6:53:53 AM
9 Comments



   Recently I decided that it was time to spread out and look for new/more gallery representation for my work. I’m ready, but I wondered if my timing was good. I know from my current dealers that they receive an incredible amount of submissions. Is there a perfect time to get noticed?

  Instead of taking a stab in the dark, I decided to ask everyone I know in the business what they thought was the best time for artists to approach galleries. I asked dealers, reps and professional artists, and this is what I discovered:

  1. Almost everyone agreed that if the gallery is seasonal, wait until the off season. Dealers are more likely to have time to review work and will be planning for the next upswing in their business.

 2. If the gallery is not seasonal, then be sure to check their exhibition schedule. You don’t want to approach them right before or during a big show as the likelihood of having your submission thrown into the pile with others is much greater.

 3. Some dealers said that they are always looking for great work and the timing is unimportant, while others said that unless there is a boost to the economy, they are not really looking to take a chance on new artists right now.

 4. The real nugget came from a gallery close to me who enjoy a long and successful history in the business. There is one universal time when all galleries in the western world have a down time.

January!

  It makes sense. After all, we are not shopping for art or much else beyond the basics after the frenzy of the holiday season. It’s a time when we tend to review the past year, get our paperwork up to date and plan for the future. And that’s exactly what the galleries are doing as well.

 

   So it looks like my timing is good after all. This January I will be taking the big leap and baring my soul to new dealers. Who’s with me?

 

PS: I loved this bit of advice I got from Graydon Parrish:

“Approach and be brave. Entice them and educate them. You are the artist.”

 

My Thanks to everyone who took the time to thoughtfully answer my question.


Comment on or Share this Article >>

A BOOK ABOUT DEATH exhibit in New York City

by Laura den Hertog on 9/1/2009 9:53:59 AM
Comment on this


My contribution to the exhibit. 500 postcards (4x6 inch)

A BOOK ABOUT DEATH : ARTISTS CONTRIBUTE 500 POST CARDS EACH TO CREATE AN UNBOUND BOOK ABOUT DEATH.  EXHIBITION AT THE EMILY HARVEY FOUNDATION GALLERY IN NEW YORK CITY.  OPENING: THURSDAY 10 SEPTEMBER 2009.  EXHIBITION: 10 - 22 SEPTEMBER 2009.

If you attend, you can pick up post cards from any of the entries and create your own book or exhibit.

Exhibition website: A Book About Death


Comment on or Share this Article >>

Landscapes for Landsake, New Hampshire

by Laura den Hertog on 8/29/2009 12:14:29 PM
Comment on this


Field at Sugar Hill 18 x 24, oil on canvas
   An exhibition and sale of paintings from the Ammonoosuc Conservation Trust properties as well as views of the New Hampshire White Mountains from and around the Sugar Hill area. Part of the proceeds go directly to the trust to help conserve land in the area.
  The exhibition is organized by The Banks Gallery, New London and will take place at The Sugar Hill Inn. September 7th through October 5th, 2009.
  Artists from the New Hampshire area will be contributing to the show. Although I am not a NH resident, I have been invited to participate in the show and had the pleasure of spending time in the area, sketching, painting and taking reference photos. This part of NH is spectacular and the people I met whose properties I painted were gracious and welcoming. The Sugar Hill Inn is a grand old inn and a perfect backdrop for the paintings on display.
  I love the concept of artists preserving (on canvas) lands that are protected through the Ammonoosuc Conservation Trust and it is a pleasure to be involved. My thanks to Ron Brown of The Banks Gallery for all the hard work.
Below are some of my paintings that will be included in the show.

View from Post Road Farm, 18 x 24


The Ammonoosuc River, 12 x 10


Sheep on Sugar Hill, 10 x 8


Pond at Post Road Farm, 14 x 11


Sugar Hill Field, 20 x 16

Comment on or Share this Article >>

Fool-Proof method for Shipping Art

by Laura den Hertog on 5/13/2009 6:12:58 AM
12 Comments



I have been shipping art around the world for the last six years, and in all that time and hundreds of paintings later, I have only had one painting damaged by the post office. I remember reading about professional art shipping boxes way back when, but they were very expensive and I was just starting out in my career and could not have afforded them. I had heard from other artists that somehow the postal workers were capable of puncturing boxes right through. What to do to protect my vulnerable canvases?
 Fortunately, my husband is a man of many talents and he came up with the core idea to prevent poke through from wayward postal people. The rest comes from my own background which includes a course in package design way back in the 70's.
  If you can gift wrap a package, you can create the perfect packaging for a canvas. You'll need a minimum of equipment and almost no money. Let me apologize in advance for choosing a nude to package when taking the photos for this blog entry. I just happened to be shipping it when I finally remembered to take photos while boxing up a painting. Also, it looks like I did the whole thing one handed, but that's only because I was alone and my other hand is holding the camera!
NOTE: If you are concerned about anything coming into contact with the surface of the artwork (and possibly damaging it), please read the note that follows my description of this method.
So let's begin.

Here's what you'll need:
A large sharp utility knife.
Scotch tape
Packing tape. I buy a whole box of rolls at Staples because it's much cheaper to buy it bulk, but you can get this stuff at any dollar store.
Scissors
Plastic bags. These could be from anywhere, depending on the size of your canvas. Garbage bags are good for larger packages.
A sheet of Insulating Foam from any Home renovation center. I use the least expensive they have, one inch thick 2 x 4 foot sheet for about $5. If I am shipping a large piece, I'll use the denser, more rigid version for a few dollars more.
Cardboard Boxes. This is the best part. There is a huge bin for recycling behind every store. And those bins are full of collapsed cardboard boxes of every size. So I go dumpster diving for my cardboard! My favorite stores are Pier I and a home store that carries window blinds. Perfect for big boxes.

Begin by protecting your canvas from the damp. Slip it inside a plastic bag of some kind and fold the bag tightly around it. Tape it closed with Scotch tape on the back.

Next you will be making a foam sandwich. Lay your canvas on a sheet of insulation foam and use the utility knife to cut around the edges forming  perfectly matched piece of foam. Do this twice. You can also use a felt marker and then cut without the canvas on the foam, but I like expediency. The knife will not cut right through the foam, but if you continue your cut in a straight line to the end of the foam, you can simply snap off the piece.

Lay your canvas between your custom made foam pieces to create a sandwich. The foam is rigid and dense enough to protect the vulnerable face of your painting.


Now use your packing tape to bind the sandwich together. Make sure you go the whole way around the package so that the tape can stick to itself in the end. You only need to do this twice to ensure that that foam stays lined up with the canvas.

Next, you will need to lay out your cardboard. If you have an old box, cut along one edge to create a flat sheet of cardboard. Be sure that any printing on the box is facing up. That way the outside of your finished box will be free of printing and ready for a postal sticker.
You'll need a piece that is big enough to wrap all the way around your foam sandwich and leave enough on the ends to fold over. The idea here is wrap the sandwich tightly in cardboard. I lay my canvas along one edge and pick the whole thing up and start bending the cardboard around the foam until I have wrapped the whole thing. I leave an overlap on the final side and cut off any excess.

Here I am using my packing tape to hold the cardboard tightly to the foam sandwich. The same rule applies here, go all the way around so the tape overlaps itself. Tape on tape is very secure and won't lift while in transit. Now you have wrapped your canvas in such a way that it won't be shifting at all within the cardboard.

You still need to finish the wrapping job by scoring the corners with your knife. You want to follow the fold lines created at each corner, to form flaps.

Here you can see that I have folded in the side flaps and I am beginning to fold the last flaps. I make these folds on both ends of the box before continuing.

Now it's time to tape the ends shut. I use tape that goes from one end all the way around the box in one continuous length. I hold the ends tightly closed while I tape and keep tension on the tape.

You can see here that I went around my box on each end making 2 straps that hold down the flaps on the ends of the box. Now I am going around again following the narrow edge of the box. I keep going around this edge continuously until the entire edge is covered in tape. In fact, if you want real security, begin this taping leaving a small overlap that you can fold over to protect the long edges of the box and end with an overlap as well. Tape is very strong when pulled tight and stuck to itself and this method prevents any ripping along the edges of the box while in transit. Yes, it's a lot of tape, but think of it as a security measure.

TaDa! Here is the finished box. The canvas is securely wrapped in both foam and cardboard. The foam will prevent poked holes and the tape will prevent ripping. The canvas cannot move within the box. The long edges are already strong by virtue of the wooden stretcher bars.
  It may take a bit of practice to keep everything tight and get your cardboard cuts right on the first try, but with a bit of perseverance this is easy. If I can do it, anyone can.

A few notes on shipping:
I have an account with Canada Post and so I can print my own labels from my computer. The USPS offers the same convenience. No standing in line, just print your label and tape it on with packing tape. You can drop off the package at any post office or put it in post box if it fits. A word to the wise...NEVER cover the Scan code on the label with tape. The shininess of the tape may prevent the scanner from picking up the code.
About choosing a shipper. I know that many artists feel they must use one of the big shipping companies (FedEx and UPS) for shipping art. In my experience, USPS and Canada Post do a great job of getting your painting where it needs to go. They are much less expensive and there is a lot less hassle and you can still insure your package. You can ship anywhere in the world without worrying.
  I have had to use the big boys on occasion for really large paintings that exceed the max allowable by USPS and not only did it cost me a fortune, but you can be sure that if it's crossing a border with the big companies, it's going to get opened by customs. Take my word for it, customs officers don't give a hoot about your art. Damage will happen, or at the very least you box will arrive mangled. For some reason a box sent through regular mail, even when it crosses a border does not get inspected and ruined.

PS:
I once had a chat with a very friendly UPS guy and he told me that when they package paintings for clients (for which they charge a fortune) they use almost exactly the same method I use. So now you get to be a professional packer. WooHoo!

PLEASE NOTE: I am always shipping oil paintings and this method works perfectly for me. However, I do not build up heavy layers of paint, so my surface is very flat, and I have never had any problem with the plastic touching the surface of my work. If you are concerned with damaging the surface of your artwork, you can protect it by skipping the plastic wrapping and adding a "frame" constructed of insulation foam around the edges of your canvas. If you make the frame deeper than the canvas and hold it in place with tightly wrapped packing tape, it should prevent anything from touching the surface. Then make your sandwich and wrap the whole thing in plastic before adding your cardboard layer.

Comment on or Share this Article >>

Winged Beings...

by Laura den Hertog on 5/12/2009 9:35:05 AM
Comment on this


Ascend
I have always had a certain fascination with mythical winged beings. They come in all kinds of forms and are found in every religion on earth. We have flying angels, horses, and griffins, even pigs! So over the years I have experimented with painting the human form with wings. In this painting, I was wondering how a winged human would take off. Would we need to push off like a bird?
Ascend is painted on stretched canvas and measures 24 x 36 inches.
It can be found in my Paintings under In Studio.

Comment on or Share this Article >>

The cooling waters

by Laura den Hertog on 5/12/2009 9:25:31 AM
Comment on this


Encircle
This painting was inspired by a hot day and the relief that comes as you step into cool water. A young girl rinses the hem of her dress and creates waves that reflect the surrounding cool green of foliage.
Encircle is painted on wood panel and measures 16 x 20 inches. It can be found on my Paintings page under In Studio.

Comment on or Share this Article >>

Commission painting, a privilege.

by Laura den Hertog on 5/12/2009 6:49:36 AM
Comment on this


Determined Dreams, 21 x 7 inches
A commissioned painting is a pleasure when both the artist and collector are willing to share ideas. This piece is a true collaboration of ideas. I ask a lot of questions and use the answers to inspire me to create something that reflects what a collector wants.
When a collector comes to me with an idea, we begin by talking about the concept. It sometimes takes a bit of back and forth before we both "get" what the painting is meant to convey, but once that's nailed down, it is a matter of details. Color, content, symbols, as well as size and focus are a few basics. Then and only then will I begin sketches or composites to show and be approved. That's when the real fun begins. It's like speaking to someone in pictures, translating their ideas into a visual feast. Often the reaction to the first sketches prove to be very enlightening. In this case , for instance, I had a figure clothed in jeans, but no shirt. The collector asked if it could be a nude, which was a great idea because it enhances the overall symbolism of the piece.
With good communication an art collector gets something custom made and personal and I have the privilege of creating something to be proud of.

Comment on or Share this Article >>

A Must-See documentary for art lovers

by Laura den Hertog on 4/20/2009 11:06:20 AM
1 Comment



Whether you are an Art lover or history buff, The Rape of Europa is a documentary worth watching.
  The movie chronicles the systematic theft of Art masterpieces all over Europe during the second world war by Hitler and the Nazi party.
  This may not be news to many of you, but the scope of the thefts and the history behind it are fascinating. The Mona Lisa for instance, spent the war hiding in the French countryside safe and sound, unlike so many other artworks.  It's worth watching from a purely historical point of view, but as an artist I found a whole new appreciation for the world's great masterpieces. There is something about seeing the art so out of context that had such a profound effect on me. Photos of soldiers holding up paintings out on the street in war torn Europe...the art simply glows in those surroundings. These precious objects seem so full of life in a dull, sad world.
 
I came away inspired, wanting to make better art. To live up to the masters that went before.
 
  The return of stolen work is an ongoing process and the movie includes a truly touching moment about a German man who spends his life tracking down the owners of stolen Jewish treasures and returning them in person.
  A major revelation in the movie is a team of men who worked with the allies to preserve the cultural treasures of Europe. In the last year of the war, The Monuments Men tracked, located, and ultimately returned more than 5 million artistic and cultural items stolen by Hitler and the Nazis. Talk about art heroes!
  Here is a link to the movie's website: The Rape of Europa
  The documentary is available at amazon.com but check at your local Video rental store as well.

Comment on or Share this Article >>

Armchair Art Buying and supporting PBS television.

by Laura den Hertog on 4/19/2009 8:13:56 AM
Comment on this



Buying Art has never been so fun!
  Every year Mountain Lake PBS hosts a weekend LIVE Arts Auction. Live as in on TV, complete with professional auctioneer. Anyone can bid by telephone and there is a vast selection of art available to suit every taste, from funky to traditional, large or small.
  You don't even have to be within the TV station's viewing area to watch the auction or bid because they have added streaming video to their website this year. (See below for more information) Just sit back and enjoy...and bid of course. Competing for an artwork, bidding against other people is all part of the fun of the auction. In this case, you would be talking on the phone with a volunteer in the TV studio who relays you bids to the auctioneer while you watch the proceedings on TV.
  The best part...is that all of the artwork has been donated by Artists from Vermont, New York and Quebec, so every dime you spend goes directly to Mountain Lake PBS. It's a win/win situation. You get great art and PBS gets to continue to broadcast commercial free quality programming. There's even another silver lining, anything you spend that is over the artist's value on a piece is considered a charitable donation and you will have a tax deduction for 2009. How cool is that?
  Artwork can be picked up at the TV studio in Plattsburgh NY, in Montreal, Canada or you can make an arrangement to have it shipped to you.
  All the artwork can be seen on the PBS website, so you can peruse this year's collection online before the auction.
  Here is a link to their website for more information: Mountain Lake PBS
  About Mountain Lake PBS: Mountain Lake PBS broadcasts on WCFETV/Channel 57
And reaches over 3.9 million viewers via antenna reception, cable or satellite providers throughout northeast New York, western Vermont, southern Quebec and eastern Ontario.
  This is my 6th year donating art to the auction along with other professional artists. The artwork is juried in so that only top-notch art goes on the auction block. I have 5 paintings up for bids this year encompassing Figures, Still Life and Landscape. Here's a small preview, but visit the Mountain Lake website to see all the great art available.

 
  Important info:
MARK YOUR CALENDAR: LIVE Auction, April 24, 25, 26, 2009 6pm-12am on Mountain Lake PBS and mountainlake.org!


 

Comment on or Share this Article >>